Film Credits Generator for Production Teams

The End Credits Maker
for Film & TV

  • Collect, validate, approve, and render your film credits — all in one place.
  • Create rolling credits, title cards, and end credit sequences — with live preview.
  • Director, writer and producer cards placed in DGA and WGA order automatically.
EndCredits.pro — Live Preview

Directed by

Jane Anderson

Written by

Michael Chen

Sarah Williams

Produced by

David Martinez

Emily Thompson

Director of Photography

Robert Kim

Film Editor

Lisa Park

Original Music by

James Wilson

Rolling Credits Generator
Approval Workflows
Broadcast-Grade Output

Built for production teams

Heads of Production
Post-Production Supervisors
Producers
Production Coordinators
Broadcast Standards
Features

More Than an End Credits Maker.
A Film Credits Platform.

EndCredits.pro is the end credits software that replaces your spreadsheets, email chains, and post house — all in one.

Structured Approval Workflow

Configurable approval stages — from production review through legal and broadcast sign-off. Know who approved what, when, and what's still pending.

Live WYSIWYG Preview

See exactly how your scrolling credits will look as you edit — instantly, continuously. No render queue, no waiting. What you see is what you deliver.

Broadcast-Grade Output

Render your movie credits in ProRes 422, ProRes 4444 or H.264, from HD to DCI 4K and from 23.976 to 60 fps — ready for cinema, broadcast and streaming delivery.

Single Source of Truth

All your film credits data — roles, names, credits order, approvals, comments, and change history — in one place. No more spreadsheets, email chains, or Dropbox folders to reconcile.

Multi-Department Collaboration

Role-based access per project — Admins, Editors, Reviewers, Approvers. External collaborators can submit data via link without creating an account.

Episodic TV Ready

Manage seasons and episodes, each with its own credits, version history and approval workflow.

Use Cases

End Credits for Every Production Type

Whether you're wrapping a feature film or delivering a music video, EndCredits.pro adapts to your production's credits format and requirements.

Feature Film

Full rolling credits with guild-compliant order — SAG, DGA, WGA placement handled automatically.

Short Film

Professional short film credits without the complexity. Card or scroll format, festival-ready output.

Documentary

Flexible documentary credits for interviews, archival sources, and non-traditional crew structures.

Music Video

Music video credits with proper artist, label, and music publisher attribution in any format.

Commercial

Fast-turnaround commercial credits with agency, client, and production company billing blocks.

Animation

Animation credits covering large VFX and animation departments with role-based grouping and sort order.

How It Works

The Full Credits Lifecycle

From data collection through multi-stakeholder approval to broadcast-grade delivery — one platform, one workflow.

01

Collect

Enter credits in a structured editor, or import them from a spreadsheet, a Word document or pasted text. Share collection links with external collaborators — VFX houses, music publishers, makeup departments — no account needed.

02

Validate

Inline comments and name validation by department heads catch errors before they reach the screen. Version history lets you see and restore earlier states.

03

Approve

Route credits through configurable approval stages — production, direction, legal, broadcast. Each approver signs off or requests changes with a full audit trail.

04

Preview & Deliver

See the final result live as you edit — true WYSIWYG. When ready, render in ProRes or H.264 at up to DCI 4K, or export the credits to TXT or Excel for your own editor.

Credits Data
Approvals
Role Name Status
Director Jane Anderson Approved
Writer Michael Chen Approved
Producer David Martinez Pending
DP Robert Kim Pending
Directed by Jane Anderson
Who It's For

Built for Every Role in the Credits Workflow

From the people who collect the data to the ones who sign off on it — EndCredits.pro gives every stakeholder the tools they need.

Head of Production

Pain: Chasing approvals via email, last-minute changes with no audit trail, coordinating 5–15 people across departments.

Solution: Structured approval stages with sign-off tracking and automated reminders. One dashboard for all projects.

Post-Production Supervisor

Pain: Receiving wrong data late, re-renders are expensive and slow, output doesn't meet delivery specs.

Solution: Live WYSIWYG preview catches issues before render. Export in ProRes or H.264 — broadcast-ready from the platform.

Producer / Executive Producer

Pain: Asked to "approve" a PDF with no context on what changed. No confidence that credits meet contractual obligations.

Solution: Clear approval interface with change history and diff views. See exactly what changed since the last review.

Broadcast / Platform Standards

Pain: Receiving credits that don't meet specs, slow back-and-forth to get corrections, no structured review process.

Solution: Dedicated review interface with approval actions. Safe area enforcement and technical spec compliance built in.

The Reality Today

Most productions still manage credits with Google Docs, email chains, and post houses. Name misspellings are the #1 recurring error. Approvals go back and forth with no tracking. Last-minute changes cause expensive re-renders.

5–15 People to coordinate per production
4+ rounds Of approval via email on average
#1 error Name misspellings in final credits
FAQ

Frequently Asked Questions

Everything you need to know about EndCredits.pro. Can't find your answer? Get in touch.

How is EndCredits.pro different from Endcrawl?

Endcrawl is a credits generator — it focuses on rendering. EndCredits.pro is a credits management platform that covers the full lifecycle: structured data collection, multi-department validation, configurable approval workflows with audit trails, live WYSIWYG preview, and broadcast-grade rendering. We replace your spreadsheets and email chains, not just your post house.

What output formats do you support?

We render ProRes 422, ProRes 4444 and H.264/MP4. Resolutions: HD (1920×1080), 2K, 2K DCI, UHD (3840×2160) and DCI 4K (4096×2160). Frame rates: 23.976, 24, 25, 29.97, 30 and 60 fps. You can also export the credits as TXT or Excel to build them in your own NLE.

How does the approval workflow work?

You configure approval stages to match your production's process — for example: Draft → Production Review → Direction Review → Legal → Broadcast/Platform Approval → Final. Each approver can approve or reject with comments at their stage. Credits lock after approval and can only be reopened by authorized users. Everything is tracked with a full audit trail.

Can external collaborators submit credits data without creating an account?

Yes. Editors can send a collection link to external collaborators — VFX houses, sound studios, music publishers — who can submit their roles and names without registering. Submitted data is quarantined until the Editor reviews and approves it.

Is the live preview accurate to the final render?

Yes. The credits are rendered as a web page, and the same rendering engine powers both the live preview and the final frame-by-frame output. What you see in the preview is pixel-identical to what you render — true WYSIWYG.

Do you support episodic TV with multiple episodes?

Yes. Series projects have episodes, and each episode has its own credits, version history and approval workflow.

What about opening titles and cards?

EndCredits.pro supports both rolling credits (the classic scrolling credits roll) and card-type credit sequences (static text/images with configurable duration and transitions). This covers opening credits, title sequences, 'Directed by' cards, closing credits cards, dedication cards, logo cards, and more.

Does it work for short films, documentaries, and music videos?

Yes. EndCredits.pro works for any production type — feature films, short film credits, documentary end credits, music video credits, commercials, animation credits, and even wedding video credits. The platform adapts to your project's scale, whether you have 10 credits or 1,000.

Does EndCredits.pro help with SAG, WGA, and DGA credits compliance?

It helps. When you import credits or generate a composition, the director, writer and producer cards are placed in the order DGA and WGA rules expect, and the approval workflow makes sure every requirement is reviewed and signed off before the final render. Checking your production's specific guild and contractual obligations is still your responsibility.

How do you catch misspelled names?

Each department can check its own names: send a group of credits to a department head for review, and their corrections come back for you to accept or discard. Inline comments and version history cover the rest of the review.

How do I create credits for a video?

With EndCredits.pro, creating video credits is simple: enter roles and names in the structured editor, customize the style (font, scroll speed, colors), preview in real time, and export in the format you need. It works for any type of video — short films, documentaries, music videos, commercials, or wedding videos.

What is an end credits maker?

An end credits maker is a software tool that lets you build, format, and render the scrolling credit sequence at the end of a film or video. A professional end credits maker handles credit hierarchy, font and layout, guild-compliant ordering (DGA, WGA, SAG-AFTRA), and export in broadcast formats such as ProRes and H.264. EndCreditsPro is built specifically for film and TV production teams, replacing the spreadsheet-and-post-house workflow with a single platform that covers the full credits lifecycle — from data collection through approval to final delivery.

Stop Managing Film Credits by Email

EndCredits.pro is the movie credits generator built for production teams who need structure, accountability, and broadcast-quality output — without the chaos of spreadsheets and email chains.

Live WYSIWYG preview Approval workflows ProRes 4444 & H.264 output